SOL ALEGRIA EREBOS SUMMONING

SOL ALEGRIA EREBOS SUMMONING

A Shamanistic Experimental Cinema Happening Performance Installation Ritual Hybrid Event, Openly Structured As An {EREBOS} Experimental Casting Call Event To All Performers Who Are Interested In Performing During The Event As Well As Especially Within The Collaborative-Explorative Camera-Stroll During The Break(And Then Eventually Within The Upcoming Middle-Length Film), Whilst All Sorts Of Interventions & Performative Acts Are Thoroughly Welcomed Throughout The Whole Of The Night.

Open Structure

0 Poetic Initiation

I Alnithra Incidents X Angelo Olivares X Daniel Zander

SOL ALEGRIA EREBOS ARCHIVE PERFORMANCE COLLAGE

{Break/Music – X}

II „Sol Alegria Del Mare Alias Yume Nikki“(+LiveVoiceOver/Music)

„Scrying Session #1“(+LiveVoiceOver/Music)

& „Eine Hand Voll Dynamit: Apocalypsis Revelata“

III Final „Erebos-Meditation“

After Completing Our First Short Film Collaboration “Eine Hand Voll Dynamit: Apocalypsis Revelata” At The Beginning Of 2024, Which Was Created For White Gardenia’s King James Bible Anthology Film As An “Extreme Experimental Cinema”-Rendition Of The “Apocalypse Of John”, A Purely Audiovisual Mixed Media Piece Dealing With The Notions Of RealGore, Vision-Quest, Iconography And The Transgressive Dialectics Of “Apocalyptical Consciousness”, “EREBOS” Will Function As A Continuation Of My Work-Process With Angelo Olivares And As An Expansive Deep-Dive Into Our Exploration/Interpretation Of “John”.

Angelo’s “John”, A Self-Exiled Underground Revolutionary, Survived And Surpassed The Apocalypse Of “Eine Hand Voll Dynamit: Apocalypsis Revelata” In The Occult Halcyonic Shelteredness Of “The Off”. As He However Reemerges From The Openly Unified Erebos Of “The Off”, He Finds Himself Ceaselessly Wandering The Ruinously Barren Post-Apocalyptical Urban Wasteland Of Berlin, Encountering Numerous Characters (Intuitively Developed And Tailored To The Specifically Curated Cast-Member), Primarily However A Horde Of Orgasmo-Magickal Savages Who Are “Saints Of Gorror” And Enact Transgressive “Encomia Of Annihilation” In Praise Of The “Erebos-OFF”.